“காலை கழற்றி வீச கனாக் கண்டேன்” - for all practical purposes, the first line of my first poem from 2019 bursting out in grief from the depths of my being unknown to me till that moment, upon waking up to an illusion where the leg of my personal deity as symbolised by the idol made of repurposed gun-metal was torn and flung over my shoulder from my back in the darkness of the night when my vigilance was at its lowest ebb.
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“யான் யாரென்று எனக்குணர்த்த யாம் யாரென்றுணர்தல் முதற்படி யாம் யாரென்று உணர்வாயாடி கண்ணம்மா என் கண்ணம்மா ” - for all practical purposes, the concluding line of my first poem from Wednesday 12 November 2025 resolving our capacity as a human, as the children of some fourteen billion years of evolution culminating as Sri Kanakasabapathi Sarma and Srimathi Subalakshmi of Kousic, Palani (1909 - 1990), பாரி மகளிர், the descendents of the kings who ruled the kurinji nilam that Palani hills were integral to, the kings whose profile as etched in every fibre of their being was effortless valour that knows to find a reason to smile or laugh out loud depending on what the response the situation called for- that would enable us to find our feet from any grief from the depths of our being unknown to any till that moment, waking them up from any delusion about their capacity to harm us as life floats us unscathed on its ebbs and flows.
My eLobby showcases my strategy for designing and developing my social enterprise lzerobzero®, expressed in broad-brush strokes, painted along the frame of the cabinet where I light my குத்து விளக்கு -an oil and wick lamp, daily. It loosely traces my finds as I reflected on my own evolution along my life of love/affection manifesting as my values from the times that myself and my brother played in our front yard as our grandfather, the golden simham amongst all men, and our grandmother, the kamadenu amongst all women, looked upon indulgently. One of the arms of the frame explores my personal space as myself finding my place at the feet of my ஐயன் who came out to find my hand unasked, my battles with the environment all the way to finding the golden lion in my heart powering me to design my golden chakkaravagam, the golden phoenix prior to putting my feet-up while the other arm explores my professional space as myself finding relevance for my cultural identity as my own self-respect and respect for every other human I chance upon in my life through my values of objectivity, fairness and sincerity augmented with my professional training ruling out intangible notions such as forgiveness, shame, reputation etc., choosing to acknowledge, correct & prevent instead.